Swiss soprano Marysol Schalit is the soloist in performances of Beethoven's 9th Symphony on 29. March in Brugg and on 30. March in Wettingen.

Matthew Vickers takes over the title role in Hoffmanns Erzählungen at the Theater Bielefeld on 30. March. Gregor Rot conducts.

Irina Simmes appears in the roles of Ursule, Marie, and Ygraine in the new production of Reimann's L'invisible at the Oper Frankfurt. The premiere is on 30. March under the baton of Titus Engel. Daniela Löffner is the director. Further performances are on 5., 13., 16., 18. and 26. April as well as on 2. May.

The Staatstheater Nürnberg presents the revival of Anno Schreier's opera Turing on 6. April, featuring Emily Newton as Joan and Wonyong Kang as Max. Tarmo Vaask conducts the Staatsphilharmonie Nürnberg.

Dutch soprano Elvire Beekhuizen debuts as Marzelline in the performance of Fidelio on 11. April at the Theater Magdeburg. Nicholas Milton is the conductor.

Under the musical direction of Esa-Pekka Salonen and with Theo Lebow as Kuska, the Osterfestspiele Salzburg present Mussorgsky's Chowanschtschina on 12. and 21. April. Simon McBurney is the director.

The Grand Théâtre de Genève presents Julien Chavaz's production of Alice im Untergrund with Sarah Alexandra Hudarew as the White Queen on 13., 15. and 16. April. The production from the Theater Magdeburg is conducted by Holly Hyun Choe.

Elizabeth Reiter is Donna Elvira in Opera Philadelphia's new production of Don Giovanni. The premiere is on 25. April. Corrado Rovaris is the musical director and Alison Moritz is the director.

Paul Georg Dittrich's interpretation of Auber's La muette de Portici premieres at the Staatstheater Darmstadt on 26. April. American tenor Matthew Vickers sings Masaniello under the baton of Johannes Zahn.

The Württembergische Philharmonie Reutlingen's 6th Symphony Concert on 28. April will feature Brahms' Ein deutsches Requiem, among other works. Marysol Schalit is the soprano soloist under the musical direction of Pawel Kapula.